MENU

Clint Eastwoods’s Letters from Iwo Jima as a transnational film

TransMissions: The Journal of Film and Media Studies 2016, vol.1, no. 2, pp. 51-67. Łukasz A.Plesnar Jagiellonian University   Clint Eastwoods’s Letters from Iwo Jima as a transnational film Abstract We may consider Letters from Iwo Jima as a typical transnational film. Its concept is based on Eastwood’s discovery of a General Kuribayashi’s book of […]

Postcolonial adaptations of classic British literature

TransMissions: The Journal of Film and Media Studies 2016, vol.1, no. 2, pp. 79-89. Bartłomiej Nowak   Postcolonial adaptations of classic British literature   Abstract: The article is an attempt of re-reading selected film adaptations of the classic British literature. The author confronts them with the images of history, British culture and ‘Others’ that are […]

Mexican Minimalist Cinema: Articulating the (Trans)national

TransMissions: The Journal of Film and Media Studies 2016, vol.1, no. 2, pp. 118-131 Bolesław Racięski Jagiellonian University   Mexican Minimalist Cinema: Articulating the (Trans)national   Abstract In the article I aim to identify and analyse the specific elements of the Mexican minimalistic cinema (minimalismo mexicano) in both transnational and national contexts. Mexican minimalistic cinema […]

Welcome to BabaKiueria! Australian anniversaries and cultural forms of resistance

TransMissions: The Journal of Film and Media Studies 2016, vol.1, no. 2, pp. 132-147 Rafał Nahirny Wrocław University   Welcome to BabaKiueria! Australian anniversaries and cultural forms of resistance   Abstract One of the many negative consequences of colonialism is cultural hegemony of white males exercised in public spheres of former colonies. This privileged group […]

An artist as a figure between industry, technology, and imagination. Some remarks on Portret artysty jako inżyniera. Twórczość Edwarda Ihnatowicza by Joanna Walewska

TransMissions: The Journal of Film and Media Studies 2016, vol.1, no. 2, pp. 148-151. Anna Nacher Jagiellonian University   An artist as a figure between industry, technology, and imagination. Some remarks on Portret artysty jako inżyniera. Twórczość Edwarda Ihnatowicza by Joanna Walewska   Joanna Walewska’s account of the life and work of Edward Ihnatowicz can […]

Vampires, zombies, and phantoms – histories of horror stories. Review

TransMissions: The Journal of Film and Media Studies 2016, vol.1, no. 2, pp. 152-156. Magdalena Zdrodowska Jagiellonian University    Vampires, zombies, and phantoms – histories of horror stories. Review   The second half of the year 2016 was generous for Polish fans of dreadful stories as two interesting books came along. The first, Wiedza potworna. […]

Movement as language, signification as identity

TransMissions: The Journal of Film and Media Studies 2016, vol.1, no. 1, pp. 50-67 Hannah Ebben Hallam University   Movement as language, signification as identity: Understanding and empowering the autistic community in online spaces   Abstract This article is a contribution to ongoing research in online autistic culture by defining its overarching themes and presenting […]

The technologies of experimental Japanese filmmakers in the digital era

TransMissions: The Journal of Film and Media Studies 2016, vol.1, no. 1, pp. 99-114 Agnieszka Kiejziewicz Jagiellonian University   The technologies of experimental Japanese filmmakers in the digital era   Abstract In their works, new Japanese experimental cinema directors present a wonderful combination of filmmaking techniques: from found-footage animation, 3D stereoscopic film shot and double […]