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An artist as a figure between industry, technology, and imagination. Some remarks on Portret artysty jako inżyniera. Twórczość Edwarda Ihnatowicza by Joanna Walewska

TransMissions: The Journal of Film and Media Studies 2016, vol.1, no. 2, pp. 148-151. Anna Nacher Jagiellonian University   An artist as a figure between industry, technology, and imagination. Some remarks on Portret artysty jako inżyniera. Twórczość Edwarda Ihnatowicza by Joanna Walewska   Joanna Walewska’s account of the life and work of Edward Ihnatowicz can […]

Images embedded in reality

TransMissions: The Journal of Film and Media Studies 2016, vol.1, no. 2, pp. 157-161. Mateusz Zimnoch Jagiellonian University    Images embedded in reality   Nacher’s book is an innovative study on a specific contemporary media phenomenon that exposes images as embedded in reality rather than referring to it in terms of the symbolic order. The […]

Transcultural Art of Bill Viola

TransMissions: The Journal of Film and Media Studies 2016, vol. 1, no. 1, pp.120-122 Krzysztof Loska Jagiellonian University Transcultural Art of Bill Viola Two extensive monographs devoted to the oeuvre of Bill Viola, one of the greatest contemporary video artists, were almost simultaneously published in the United States and Poland. Both books discuss not only […]

Sixty years later

TransMissions: The Journal of Film and Media Studies 2016, vol. 1, no. 1, pp. 123-128 Alicja Helman Jagiellonian University   Sixty years later A brief publication by Justyna Żelasko entitled Przygoda w Pociągu. Początki polskiego modernizmu filmowego (Adventure on a Train. Beginnings of Modernism in Polish Cinema) provokes thoughts that extend beyond its subject matter. […]