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Table of Contents 2018 vol.3 no.1

TransMissions: The Journal of Film and Media Studies 2018, vol.3, no. 1 Table of Contents  2018 vol.3 no.1 Film and Media: Through and Beyond the Senses edited by Małgorzata Radkiewicz, Marta Stańczyk (Jagiellonian University)   Fotografują się w atelier. Reżimy ciała w radzieckiej fotografii studyjnej [Polish] Oksana Gawriszyna Oko artysty. Fenomenologia zmysłów w filmie Młyn […]

Film and Media: Through and Beyond the Senses – Editorial

TransMissions: The Journal of Film and Media Studies 2018, vol.3, no. 1, pp. 1.   Małgorzata Radkiewicz Jagiellonian University   Marta Stańczyk Jagiellonian University       Film and Media: Through and Beyond the Senses   The annual NECS conference that took place in June 2017 addressed the topic: Sensibility and the Senses. Media, Bodies, […]

Fotografują się w atelier. Reżimy ciała w radzieckiej fotografii studyjnej [Polish]

        TransMissions: The Journal of Film and Media Studies 2018, vol.3, no. 1, pp.2-12. Oksana Gawriszyna Rosyjski Państwowy Uniwersytet Humanistyczny w Moskwie     Fotografują się w atelier. Reżimy ciała w radzieckiej fotografii studyjnej[1] Streszczenie Na przykładzie fotografii studyjnej artykuł przedstawia transformację praktyk kulturowych w Rosji w pierwszej połowie XX wieku. Jakkolwiek scenografia i ustawienie […]

Oko artysty. Fenomenologia zmysłów w filmie Młyn i krzyż Lecha Majewskiego [Polish]

TransMissions: The Journal of Film and Media Studies 2018, vol.3, no. 1, pp. 13-26.   Iwona Grodź Uniwersytet im. Adama Mickiewicza w Poznaniu       Oko artysty. Fenomenologia zmysłów w filmie Młyn i krzyż Lecha Majewskiego   Abstrakt Tematem artykułu jest tajemnica widzenia „zaszyfrowana” w filmie Lecha Majewskiego Młyn i krzyż (2010) oraz obrazie […]

The body of the viewer and immersive audio-visual art. The somatic character of new Japanese experimental film

TransMissions: The Journal of Film and Media Studies 2018, vol.3, no. 1, pp. 27-42.   Agnieszka Kiejziewicz Jagiellonian University       The body of the viewer and immersive audio-visual art. The somatic character of new Japanese experimental film   Abstract The author of this article aims at presenting the somatic character of the audiovisual […]

Historical insight into The Danube Exodus cinematic installation by Péter Forgács

TransMissions: The Journal of Film and Media Studies 2018, vol.3, no. 1, pp. 43-58.   Kamil Lipiński Adam Mickiewicz University       Historical insight into The Danube Exodus cinematic installation by Péter Forgács     Abstract The article examines the wide-screen installation The Danube Exodus: Rippling Currents of the River (2002-2006) by Péter Forgács. […]

Boundaries are (but) a blur: Computer-generated imagery and the formation of seamless filmic space

TransMissions: The Journal of Film and Media Studies 2018, vol.3, no. 1, pp. 59-77. Maciej Stasiowski Jagiellonian University       Boundaries are (but) a blur: Computer-generated imagery and the formation of seamless filmic space Ever since cinema’s inception, the physical creation of fictional settings has been the province of architects, set designers, cinematographers, and […]

Prosthetic Memory and the New Civil Rights Cinema of the 21st Century

TransMissions: The Journal of Film and Media Studies 2018, vol.3, no. 1, pp. 78-88.     Patrycja Włodek Pedagogical University of Cracow     Prosthetic Memory and the New Civil Rights Cinema of the 21st Century   Abstract Memory studies are one of the most dynamically developing areas of the humanities. Although most scholars are […]

Tactile epistemology: sensoria and the postcolonial

TransMissions: The Journal of Film and Media Studies 2018, vol.3, no. 1, pp. 89-99.   Marta Stańczyk Jagiellonian University     Tactile epistemology: sensoria and the postcolonial   Abstract In this article the author focuses on the so called “tactile epistemology” in postolonial studies – different cognitive and representational modes that enable create subversive narrations […]

Prayer Wheels for the Other: Haunted by the Images: the film works of Tian Zhuangzhuang book review

TransMissions: The Journal of Film and Media Studies 2018, vol.3, no. 1, pp. 89-93. Maciej Stasiowski Jagiellonian University       Prayer Wheels for the Other: Haunted by the Images: the film works of Tian Zhuangzhuang book review   There is a sequence in The Horse Thief (1986), in which an elderly Buddhist monk spins […]